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Vinyl, Abbey Road and Pieces of Gold 

With the current trend of bands returning to releasing vinyl records, I’ve cast my mind back to 1990 and the making of Pieces of Gold. 

I recorded & mixed four tracks in my studio at Warp Farm throughout January and February and then put them out on a cassette to see which two tracks would be the best for a single. Once everyone had chipped in with their thoughts we decided on Mandy is Missing and Pieces of Gold. 

In June, I went down to Abbey Road studios in London to finish the mastering and cut the master lacquer. At the time Mandy is Missing was slated for the A-side and Pieces of Gold for the B-side.  I went down to observe and was very impressed by how much they were able to do. The mastering engineer had just finished working on MC Hammer’s latest single. 

My songs were both over 4 mins 20 secs and therefore getting a bit on the long side. This meant that we couldn’t have the bass as “deep” as we would have liked. The options were: edit it down to 3 and a half mins, release it on 12 inch or leave it alone. We left it alone and I was still overjoyed at the end result. 

When we passed around the test copy it soon became apparent that Pieces was going to be more instantly popular than Mandy. So, we put it out as a double A under our band name 1159. This set off a sequence of events. Firstly we got some good reviews in the music press which then got 5 record labels asking to meet up with us and the chance of a major deal. Secondly, we got a letter from another band called 1159 threatening legal action if we continued to use the name. This led to me having to get the singles re-stickered that had already been manufactured. It was at this point I decided that I would always put stuff out under my own name since it is my belief that you can’t sue someone for using their own name. 

Stuart 

Below is the video of the new recording of “Pieces of Gold”, March 2018.

Crowd Reviews – Not for the faint hearted 

When I finish a new song I sometimes submit the finished recording to a blind test using a crowd reviewing service. This then helps me by highlighting what the average listener thinks of my song and from this, I can make changes if I feel it’s appropriate or promotes it to certain sets of people. 

Anyhow, I’ve just got a Crowd Review back for “Bringing the Harvest Home” and for your entertainment, I am posting a link to the final report here.  Crowd Review

Seize the Day – Epic Orchestral Jangle Rock 

Who knows the dangers we might meet?

Inspired by listening to the book To Rule the Waves by Arthur Herman, about the British Navy and Herrmann’s The Great Age of Discovery about great explorers I have written a track called Seize the Day. These chaps must’ve had balls of steel. Heading out into the unknown. Makes our over-scrutinized lives seem rather small in comparison. 

Stuart

I have used this painting as the base for the artwork to go with the single. For more information about the painting click here. 

Seize the Day 

Throw the dice and say your prayers 

The World is yours if you dare 

Who knows the dangers we might meet? 

Crashing waves or the guns of the mighty Spanish Fleet 

It’s the great adventure of our time 

I’ve got the chance to know what is or isn’t mine 

Chorus 

And this ripple could become a mighty wave 

No one knows if their souls are ever safe 

So, they should seize the day 

Carpe diem 

Carpe diem 

Verse 

In a burning sun on a breathless sea 

With thoughts of home and a waiting Virgin Queen 

Francis Drake and the Golden Hind 

Lived on hope of all the treasure he might find 

Who knows the dangers we might meet 

Words by Stuart James Wright (Copyright 2018 Stuart Wright Music)